Fast, fresh comedy drama
The key issue was to make the production modern, fast, fresh, a comedy drama caper, with an under tone of menace. There are lots of gags, car chases, crashes, stunts and comic misuse of the English language. It is aimed at a family audience, with a skew to young men.
But at around €660,000 per hour, the budget was tight and the work was all on location, with the eclectic mix of urban scenes described above augmented with rented penthouse Docklands flats and warehouse offices.
Minder was commissioned exactly a year ago, before the recession began to bite, by Jay Hunt, Five’s former director of programmes, who stayed only briefly, before being quickly recalled by the BBC to run BBC1. Sean O’Connor, Minder producer, pitched in January, only to find to his astonishment he was in production eleven weeks later.
Airey, who inherited it after joining from ITV was initially sceptical about its value, until she watched episode one and was hooked. It may also chime in with a mood of re-evaluating the past, and audience preferences for long remembered brands. Remakes are currently underway of The Fall & Rise of Reginald Perrin and The Prisoner. To achieve the right tone, the cameraman used wide angles, as much as possible, rather than close ups.
Butler said: “Light is something you have to consider very carefully. On a television schedule there is no time to wait around for the sun. You have to get on with it, that’s one of the skills you need. Its surprising how very different light can be and how it changes. This was a six days a week shoot, between August and mid October, it was very tough.”
25 March 2009